Oil On Canvas, Real Flavor of Old Masters


Swedish

Spanish

English

French

German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index

Next Painting     

Marie-Guillemine Benoist

      Paris 1768-1826 was a French neoclassical, historical and genre painter. She was born in Paris, the daughter of a civil servant. Her training as an artist began in 1781 under Élisabeth Vigee Le Brun, and she entered Jacques-Louis David's atelier in 1786 along with her sister Marie-Élisabeth Laville-Leroux. The poet Charles-Albert Demoustier, who met her in 1784, was inspired by her in creating the character Émile in his work Lettres Émilie sur la mythologie (1801). In 1791 she exhibited for the first time in the Salon de Paris, displaying her mythology-inspired picture Psych faisant ses adieux sa famille. Another of her paintings of this period, L'Innocence entre la vertu et le vice, is similarly mythological and reveals her feminist interests in this picture, vice is represented by a man, although it was traditionally represented by a woman. In 1793, she married the lawyer Pierre-Vincent Benoist. Her work, reflecting the influence of Jacques-Louis David, tended increasingly toward history painting by 1795. In 1800, she exhibited Portrait d'une negresse in the Salon. Six years previously, slavery had been abolished, and this image became a symbol for women's emancipation and black people's rights. This picture was acquired by Louis XVIII for France in 1818. An important commission, for a full-length portrait of Napol on Bonaparte Premier Consul Français in this period was awarded to her in 1803. This portrait was to be sent to the city of Ghent, newly ceded to France by the Treaty of Luneville in 1801. Other honors came to her; she was awarded a Gold Medal in the Salon of 1804, and received a governmental allowance. During this time she opened an atelier for the artistic training of women. Her career was harmed by political developments, however, when her husband, the convinced royalist count Benoist, was nominated in the Conseil d'État during the post-1814 monarchy come-back called the Bourbon Restoration.

Marie-Guillemine Benoist Portrait of a Black woman painting


Portrait of a Black woman
new16/Marie-Guillemine Benoist-859878.jpg
Painting ID::  42740

  MK169 1800 oil Paint on cloth 81x65cm
   
   
   

Marie-Guillemine Benoist

      Paris 1768-1826 was a French neoclassical, historical and genre painter. She was born in Paris, the daughter of a civil servant. Her training as an artist began in 1781 under Élisabeth Vigee Le Brun, and she entered Jacques-Louis David's atelier in 1786 along with her sister Marie-Élisabeth Laville-Leroux. The poet Charles-Albert Demoustier, who met her in 1784, was inspired by her in creating the character Émile in his work Lettres Émilie sur la mythologie (1801). In 1791 she exhibited for the first time in the Salon de Paris, displaying her mythology-inspired picture Psych faisant ses adieux sa famille. Another of her paintings of this period, L'Innocence entre la vertu et le vice, is similarly mythological and reveals her feminist interests in this picture, vice is represented by a man, although it was traditionally represented by a woman. In 1793, she married the lawyer Pierre-Vincent Benoist. Her work, reflecting the influence of Jacques-Louis David, tended increasingly toward history painting by 1795. In 1800, she exhibited Portrait d'une negresse in the Salon. Six years previously, slavery had been abolished, and this image became a symbol for women's emancipation and black people's rights. This picture was acquired by Louis XVIII for France in 1818. An important commission, for a full-length portrait of Napol on Bonaparte Premier Consul Français in this period was awarded to her in 1803. This portrait was to be sent to the city of Ghent, newly ceded to France by the Treaty of Luneville in 1801. Other honors came to her; she was awarded a Gold Medal in the Salon of 1804, and received a governmental allowance. During this time she opened an atelier for the artistic training of women. Her career was harmed by political developments, however, when her husband, the convinced royalist count Benoist, was nominated in the Conseil d'État during the post-1814 monarchy come-back called the Bourbon Restoration.

Marie-Guillemine Benoist Portrait of a black woman painting


Portrait of a black woman
new16/Marie-Guillemine Benoist-288552.jpg
Painting ID::  42744

  MK169 1800 oil Paint on cloth 81x65cm
   
   
   

Next Painting     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Portrait of a Woman sdgsdftg / Tartar / Max Beckmann / Twilight among the Mountains / Znojmo / fast / Two Young Girls the Yellow Dress and the / St Sylvester Sealing thte Dragon-s Mouth / David and Uriah / The Descent of Christ into Limbo / impressionist / Lotz, Karoly / Triumph of Curch over Fury,Discord,and H / Rome with St Peter-s -17- / Olneysprings / Mbarka -32- / Recreation by our Gallery / Portrait of Baartgen Martens Doomer w4t / Details of Landscape with a Stone Bridge / Landscape after Teniers / The Primrose Gatherers / effigy north part team two / Rest on the Flight into Egypt -17- / Elberfeld / Floral Panel / John Ruskin,HRWS / Charles Mouton the Lutanist -05- / FABRITIUS, Carel / Mexicobeach / Jean-Leon Gerome,The Death of Caesar -23 / Breton Women / Smfisse / Study for The Cross and the World-The Pi / Le Dejeuner sur l-Herbe / The Martyrdom of St Stephen -08- / The Rest on the Flight to Egypt_1 / Saapland / Presentation of Mary in the Temple dsg / The Beach at Fecaump / Frida reworked a retablo she had found b /